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Author: Ralph Amissah <ralph@amissah.com>
Download: <http://www.sisudoc.org> <http://www.jus.uio.no/sisu/>
---------

Format: http://www.debian.org/doc/packaging-manuals/copyright-format/1.0/
Upstream-Name: SiSU Markup Samples
Upstream-Contact: Ralph Amissah <ralph.amissah@gmail.com>
Source: http://sisudoc.org/sisu/archive/pool/non-free/s/sisu-markup-samples/
        git://git.sisudoc.org/git/doc/sisu-markup-samples.git
Comment: This package contains documents marked up for SiSU
 <http://www.sisudoc.org> which is licensed under the GPL3 or later. This
 package is (classified as) Debian non-free because the markup is of books that
 are available under copyright holder licenses (usually the author or original
 publisher) that generally allow publishing, but not changing substantive
 content (and other restrictions as noted, e.g. sometimes only for
 non-commercial use).

Files: *
Copyright: (C) 1997, 2012 Ralph Amissah <ralph@amissah.com>
License: GPL-3+

Files: setup.rb
Copyright: Minero Aoki <http://i.loveruby.net/en/projects/setup/>
License: LGPL-2.1

Files: data/samples/free_as_in_freedom_2.richard_stallman_and_the_free_software_revolution.sam_williams.richard_stallman.sst
Copyright: 2002, Sam Williams
           2010, Richard M. Stallman
License: GFDL-NIV-1.3
 <http://www.gnu.org/copyleft/fdl.html>
NOTES: Free as in Freedom 2.0 - Richard Stallman and the Free Software Revolution
 <http://shop.fsf.org/product/free-as-in-freedom-2/> by Sam Williams, 2nd ed.
 revisions by Richard M. Stallman

Files: data/samples/free_culture.lawrence_lessig.sst
Copyright: 2004, Lawrence Lessig
License: CC-BY-NC-1.0
 Attribution-Noncommercial
NOTES: Free Culture - How Big Media Uses Technology and the Law to Lock Down
 Culture and Control Creativity
 <http://www.free-culture.cc> by Lawrence Lessig <http://www.lessig.org/>

Files: data/samples/the_wealth_of_networks.yochai_benkler.sst
Copyright: 2006, Yochai Benkler
License: CC-BY-NC-SA-2.5
 Attribution-Noncommercial-Share Alike
 <http://creativecommons.org/licenses/by-nc-sa/2.5/>
NOTES: The Wealth of Networks - How Social Production Transforms Markets and
  Freedom <http://cyber.law.harvard.edu/wealth_of_networks/Main_Page>
  by Yochai Benkler <http://www.benkler.org/>

Files: data/samples/viral_spiral.david_bollier.sst
Copyright: 2008, David Bollier
License: CC-BY-NC-3.0
 Attribution-Noncommercial
 <http://creativecommons.org/licenses/by-nc/3.0/>
NOTES: Viral Spiral <http://viralspiral.cc/>
  by David Bollier <http://www.bollier.org/>

Files: data/samples/democratizing_innovation.eric_von_hippel.sst
Copyright: 2005, Eric von Hippel
License: CC-BY-NC-ND-2.0
 Attribution-Noncommercial-No Derivative Works
 <http://creativecommons.org/licenses/by-nc-nd/2.0/>
NOTES: Democratizing Innovation <http://web.mit.edu/evhippel/www/democ1.htm>
  by Eric von Hippel <http://web.mit.edu/evhippel/www/>

Files: data/samples/two_bits.christopher_kelty.sst
Copyright: 2008, Christopher Kelty
           2008, Duke University Press
License: CC-BY-NC-SA-3.0
 Attribution-Noncommercial-Share Alike
 <http://creativecommons.org/licenses/by-nc-sa/3.0/>
NOTES: Two Bits - The Cultural Significance of Free Software
  <http://twobits.net/> by Christopher Kelty <http://kelty.org/>

Files: data/samples/free_for_all.peter_wayner.sst
Copyright: 2000, Peter Wayner
License: CC-BY-NC-1.0
 Attribution-Noncommercial
 <http://creativecommons.org/licenses/by-nc/1.0/>
NOTES: Free For All - How Linux and the Free Software Movement Undercut the
  High Tech Titans
  <http://www.wayner.org/books/ffa> by Peter Wayner <http://www.wayner.org>

Files: data/samples/the_cathedral_and_the_bazaar.eric_s_raymond.sst
Copyright: 2000, Eric S Raymond
License: Open Publication License, v 2.0
NOTES: The Cathederal and the Bazaar
  <http://www.catb.org/~esr/writings/cathedral-bazaar/cathedral-bazaar/>
  by Eric Raymond <http://www.catb.org/~esr>

Files: data/samples/the_public_domain.james_boyle.sst
Copyright: 2008, James Boyle
License: CC-BY-NC-SA-3.0
 Attribution-Noncommercial-Share Alike
 <http://creativecommons.org/licenses/by-nc-sa/3.0/>
NOTES: The Public Domain - Enclosing the Commons of the Mind
  <http://thepublicdomain.org> by James Boyle <http://james-boyle.com>

Files: data/samples/content.cory_doctorow.sst
Copyright: 2008, Cory Doctorow
License: CC-BY-NC-SA-3.0
 Attribution-Noncommercial-Share Alike
 <http://creativecommons.org/licenses/by-nc-sa/3.0/>
NOTES: CONTENT - Selected Essays on Technology, Creativity, Copyright and the
  Future of the Future
  <http://craphound.com/content> by Cory Doctorow <http://craphound.com>

Files: data/samples/down_and_out_in_the_magic_kingdom.cory_doctorow.sst
Copyright: 2003, Cory Doctorow
License: CC-BY-NC-SA-1.0
 Attribution-NonCommercial-ShareAlike
 <http://creativecommons.org/licenses/by-nc-sa/1.0/>
NOTES:  Down and Out in the Magic Kingdom <http://craphound.com/down>
  by Cory Doctorow <http://craphound.com>

Files: data/samples/little_brother.cory_doctorow.sst
Copyright: 2008, Cory Doctorow
License: CC-BY-NC-SA-3.0
 Attribution-Noncommercial-Share Alike
 <http://creativecommons.org/licenses/by-nc-sa/3.0/>
NOTES: Little Brother <http://craphound.com/littlebrother>
  by Cory Doctorow <http://craphound.com>

Files: data/samples/for_the_win.cory_doctorow.sst
Copyright: 2010, Cory Doctorow
License: CC-BY-NC-SA-3.0
 Attribution-Noncommercial-Share Alike
 <http://creativecommons.org/licenses/by-nc-sa/3.0/>
NOTES: For the Win <http://craphound.com/ftw>
  by Cory Doctorow <http://craphound.com>

Files: data/samples/accelerando.charles_stross.sst
Copyright: 2005, Charles Stross
License: CC-BY-NC-ND-2.0
 Attribution-Noncommercial-No Derivative Works
 <http://creativecommons.org/licenses/by-nc-nd/2.0/>
 The SiSU preparation (presentations) of Accelerando are done with the kind
 permission of the author Charles Stross
NOTES: Accelerando <http://www.accelerando.org/>
  by Charles Stross <http://www.antipope.org/charlie/>

Files: data/samples/un_contracts_international_sale_of_goods_convention_1980.sst
Text: UN Contracts for International Sale of Goods
Copyright:
License:
Author: UN, UNCITRAL
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Files: data/samples/gullivers_travels.jonathan_swift.sst
Copyright: 1726
License: Public Domain
NOTES: Gulliver's Travels by Jonathan Swift

Files: data/samples/alices_adventures_in_wonderland.lewis_carroll.sst
Copyright: 1865
License: Public Domain
NOTES: Alice's Adventures in Wonderland by Lewis Carroll

Files: data/samples/through_the_looking_glass.lewis_carroll.sst
Copyright: 1871
License: Public Domain
NOTES: Through the Looking Glass by Lewis Carroll

License: GPL-3+
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 AND EXCEPT FOR DAMAGES ARISING FROM LIABILITY TO A THIRD PARTY RESULTING FROM
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 CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS AND
 CONDITIONS.
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 1. Definitions
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 encyclopedia, in which the Work in its entirety in unmodified form, along with
 a number of other contributions, constituting separate and independent works
 in themselves, are assembled into a collective whole. A work that constitutes
 a Collective Work will not be considered a Derivative Work (as defined below)
 for the purposes of this License.
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 b. "Derivative Work" means a work based upon the Work or upon the Work and
 other pre-existing works, such as a translation, musical arrangement,
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 reproduction, abridgment, condensation, or any other form in which the Work
 may be recast, transformed, or adapted, except that a work that constitutes a
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 Work, or who has received express permission from the Licensor to exercise
 rights under this License despite a previous violation.
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 restrict any rights arising from fair use, first sale or other limitations on
 the exclusive rights of the copyright owner under copyright law or other
 applicable laws.
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 3. License Grant. Subject to the terms and conditions of this License,
 Licensor hereby grants You a worldwide, royalty-free, non-exclusive, perpetual
 (for the duration of the applicable copyright) license to exercise the rights
 in the Work as stated below:
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 a. to reproduce the Work, to incorporate the Work into one or more Collective
 Works, and to reproduce the Work as incorporated in the Collective Works;
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 b. to distribute copies or phonorecords of, display publicly, perform
 publicly, and perform publicly by means of a digital audio transmission the
 Work including as incorporated in Collective Works;
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 The above rights may be exercised in all media and formats whether now known
 or hereafter devised. The above rights include the right to make such
 modifications as are technically necessary to exercise the rights in other
 media and formats, but otherwise you have no rights to make Derivative Works.
 All rights not expressly granted by Licensor are hereby reserved, including
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 4. Restrictions. The license granted in Section 3 above is expressly made
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 digitally perform the Work only under the terms of this License, and You must
 include a copy of, or the Uniform Resource Identifier for, this License with
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 any terms on the Work that alter or restrict the terms of this License or the
 recipients' exercise of the rights granted hereunder. You may not sublicense
 the Work. You must keep intact all notices that refer to this License and to
 the disclaimer of warranties. You may not distribute, publicly display,
 publicly perform, or publicly digitally perform the Work with any
 technological measures that control access or use of the Work in a manner
 inconsistent with the terms of this License Agreement. The above applies to
 the Work as incorporated in a Collective Work, but this does not require the
 Collective Work apart from the Work itself to be made subject to the terms of
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 You must, to the extent practicable, remove from the Collective Work any
 reference to such Licensor or the Original Author, as requested.
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 b. You may not exercise any of the rights granted to You in Section 3 above in
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 considered to be intended for or directed toward commercial advantage or
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 where the Work is a sound recording, Licensor reserves the exclusive right to
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 upon notice from any Licensor You must, to the extent practicable, remove from
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 considered to be intended for or directed toward commercial advantage or
 private monetary compensation, provided there is no payment of any monetary
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 publishing entity, journal) for attribution ("Attribution Parties") in
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 assert, as appropriate, this Section, to the fullest extent permitted by the
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 5. Representations, Warranties and Disclaimer
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 UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING, LICENSOR OFFERS
 THE WORK AS-IS AND MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY KIND
 CONCERNING THE WORK, EXPRESS, IMPLIED, STATUTORY OR OTHERWISE, INCLUDING,
 WITHOUT LIMITATION, WARRANTIES OF TITLE, MERCHANTIBILITY, FITNESS FOR A
 PARTICULAR PURPOSE, NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER
 DEFECTS, ACCURACY, OR THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT
 DISCOVERABLE. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED
 WARRANTIES, SO SUCH EXCLUSION MAY NOT APPLY TO YOU.
 .
 6. Limitation on Liability. EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE LAW,
 IN NO EVENT WILL LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY
 SPECIAL, INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT
 OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS BEEN ADVISED OF
 THE POSSIBILITY OF SUCH DAMAGES.
 .
 7. Termination
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 however, will not have their licenses terminated provided such individuals or
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 Notwithstanding the above, Licensor reserves the right to release the Work
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 provided, however that any such election will not serve to withdraw this
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 under the terms of this License), and this License will continue in full force
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 Licensor offers to the recipient a license to the Work on the same terms and
 conditions as the license granted to You under this License.
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 b. Each time You Distribute or Publicly Perform an Adaptation, Licensor offers
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 respect to the Work licensed here. There are no understandings, agreements or
 representations with respect to the Work not specified here. Licensor shall
 not be bound by any additional provisions that may appear in any communication
 from You. This License may not be modified without the mutual written
 agreement of the Licensor and You.
 .
 f. The rights granted under, and the subject matter referenced, in this
 License were drafted utilizing the terminology of the Berne Convention for the
 Protection of Literary and Artistic Works (as amended on September 28, 1979),
 the Rome Convention of 1961, the WIPO Copyright Treaty of 1996, the WIPO
 Performances and Phonograms Treaty of 1996 and the Universal Copyright
 Convention (as revised on July 24, 1971). These rights and subject matter take
 effect in the relevant jurisdiction in which the License terms are sought to
 be enforced according to the corresponding provisions of the implementation of
 those treaty provisions in the applicable national law. If the standard suite
 of rights granted under applicable copyright law includes additional rights
 not granted under this License, such additional rights are deemed to be
 included in the License; this License is not intended to restrict the license
 of any rights under applicable law.